Marvin Gaye and Tammi Terrell, “Ain’t No Mountain High Enough”, 34. This is a good collection of their unforgettable electric folk-pop songs, including "Monday, Monday" and "California Dreamin'." —Shane Ryan, Nearly 50 years after its release, “Respect” is still ubiquitous. Nina headed in a downward spiral breaks things off with JB, she returns to Jesse, now clean and sober, and expresses her desire to return to being the Amanda she used to be, with him at her side ("Heart-Shaped Wreckage"). The arrangement of this song is flat out ridiculous with those incessant castanets and the string section that dips and dives through the song like an excited bird. It’s one of the few songs that can make the phrase “best friend” feel as cutting as a four-letter word, as Reed sings “It was good what we did yesterday, and I’d do it once again. And as we all know, the song went on to be a huge hit, giving this California-based pop group their lone No. “My Way” is both melancholic and uplifting, not afraid to confront emotion. After creating a cult-like following from the television show, Hit List opened for a three show engagement at 54 Below on December 8, 2013 through December 9, 2013. Sly & The Family Stone, “Everyday People”, 38. —Logan Lockner, A hauntingly beautiful tale of unrequited love, “Pale Blue Eyes” is about recognizing you’re being used and allowing it to happen anyway. The song is vocally percussive, yet smooth and swaying; its bold lyrics are both timely for the era, yet utterly timeless in an age where Black Lives Matter.  The pair pitches the musical, about a poor boy with songwriting talent who falls for a rich girl who steals his songs. Robinson remarked that it “sounded like a circus,” and the rest, as they say, is history. —Sandy Pearlman, With Frank Sinatra now long passed, “My Way” has taken on a new, beautiful significance. Tommy James and the Shondells, “Crimson and Clover”, 47. “I Ain’t Marching Anymore” criticizes America’s futile Vietnam invasion with zing and zest over quick acoustic strumming in the tradition of folk heroes like Pete Seeger and Woody Guthie. Broadway producer Jerry Rand (Michael Cristofer) commits to transferring it to the Ethel Barrymore Theatre on Broadway. ", Andy Mientus has performed in Rent and was also aware of the parallels between his character and Larson. There were points during that time when, despite the ire of rock ‘n’ roll hipsters, the so-called pre-fab four outsold their Liverpudlian predecessors, thanks in large part to the bouncing pop of 1966’s single “I’m A Believer.” Ultimately, The Monkees enjoy a kind of iconic pop culture status both because of and in spite of the unusual and even existential way the group came to be. Later charts also include digital single sales, online streaming, and YouTube hits. Including rock ‘n’ roll, itself. “Have Love Will Travel” isn’t as in-your-face as “The Witch” or “Strychnine,” but it’s still a primal slab of garage rock (the skronky sax solo rips, too). All data is pooled from record purchases and radio/jukebox play within the United States. She sings, “You been making your brags about town/ That you been lovin’ my man/ But the man I love, when he picks up trash/ He puts it in a garbage can.”, Owning her man “ain’t” a “saint,” Lynn has no trouble suggesting to the brazen gal stay clear. —Paste Archives, The Monkees didn’t form; the band was made – in this case for an American TV show inspired by The Beatles’ film A Hard Day’s Night. The following year-by-year, week-by-week listings are based on statistics accrued by Billboard magazine before and after the inception of its Hot 100 popularity chart in August 1958. Pickett’s version, which appeared on his 1966 album The Wicket Pickett is the most recognized, even getting adapted again in the early ‘90s in the music film The Commitments. —Hilary Saunders, Almost 50 years since the release of Big Brother and the Holding Company’s cover of “Piece of My Heart” and still no one can wail like Janis Joplin. The fact that you are married only proves you’re my best friend.” Anyone who has ever been friend-zoned can relate to the aching sadness oozing from this track. Marvin Gaye, “I Heard It Through The Grapevine”, 6. , With Hit List running on Broadway, a member of the company named Daisy Parker (Mara Davi) blackmails Derek with threats of a sexual harassment lawsuit unless he gives her the role of The Diva. It’s become a virtue. They were also playing what was essentially punk rock in the small town of Tacoma, Wash. one year before bands like The Seeds and the 13th Floor Elevators had done anything, three years before the Brits gave us The Pretty Things or The Deviants, and almost five years before The Stooges and MC5 blew up Detroit. After a brief discussion with his roommate, Jesse goes to bed, but not before a quick smoke ("Rewrite This Story"). —Holly Gleason, Stevie Wonder was just 12 years old when he recorded what would go on to become one of the first live songs to hit number one, making him the youngest person in history to top the Billboard Hot 100. The musical's original concert production opened on December 8, 2013 and closed December 9, 2013 after 3 regular performances. Try to listen to this song, even in our current cynical and overstretched times, and remain unmoved or unemotional. The following songs were featured in top of the chart for the highest total number of weeks during the 1970s. —Robert Ham, The 1965 single cut of “Papa’s Got A Brand New Bag” became a smash because of James Brown’s introduction of funk elements. The 6/8 time signature and the renaissance feel of the instrumentation give the song the tone of a dirge but Cohen’s vocal performance – exploding into each refrain with a tangible sense of awe – is the essence of rock ’n roll. Her performance embodies joy, romance and triumph. , Safran wanted the sound of the second musical to completely contrast with that of Bombshell so he turned to rising theater writers. However, bands with votes for multiple songs were limited to two tracks each. 1 singles by the time this single was released in 1968, but the country star’s incarceration a decade earlier gives this rueful number a particular authenticity. —Kurt Suchman, “The Weight” remains The Band’s most well-known song to date, and who can complain with that? The Shangri-Las, “Leader of the Pack”, 75. In this performance from 1973—the first time the trio had performed together in years—their harmonies are ragged and the delivery unrehearsed, but regardless, just having these musicians playing together again, and more importantly, obviously enjoying it, was a cause for celebration. This paean to the grisly aftermath of an unforgiving curry – or tribute to love’s … Plus, it helped those boys in Remember The Titans work out their differences. This cover of an old Pete Seeger tune was one of the many hits off the trio’s self-titled 1962 debut album. Hendrix exudes soulful swagger, dripping with leering bravado and uncoiled sexuality. But its titular song stands today as an immortal girl-group pop hit, a nuanced juxtaposition of little-girl sweetness and adult tragedy. All Rights Reserved. As Nina career ascends, Jesse falls back into drug abuse. Infatuated with Amanda, Jesse delightedly tells his roommate about his love for her ("If I Had You"). The Rolling Stones, “(I Can’t Get No) Satisfaction”, 33. As such, its attitude and subject matter aren’t the song’s most progressive aspect. Phil Ochs, the Texan-born singer, self-described social democrat, and revolutionary, epitomized this. — Bonnie Stiernberg, This 1964 single maybe have been the last time Roy Orbison reached the top of the charts in the U.S., but the impact it had on the pop music world was marked. Principal roles and casts of major productions of stage productions of Hit List, (Final performance Karen Cartwright Katharine McPhee), Karen Cartwright overhears Jimmy Collins performing "Broadway Here I Come" and calls director Derek Wills (Jack Davenport) to listen. —Beca Grimm, Other songs may be more influential or boast wittier lyrics, but none are as simply beautiful as “Waterloo Sunset.” The guitar part feels like a hug from an old friend, and the lyrics remind us that sometimes all you truly need is someone to walk along a bridge with. —Robert Ham, Being of a certain age, this song will forever be cemented in my mind as the one that soundtracks Patrick Swayze and Demi Moore getting all sensual with clay in Ghost. The album also features Redding’s recording of the Sam & Dave hit “Knock On Wood,” which is also featured on this list. Otis Redding, “(Sittin’ On) The Dock of the Bay”, 17. In other words, it’s a perfect approximation of the rapid heartbeat and soaring emotions of someone in love. More than the specifics of what he did, it’s important to him that he stayed true to himself. All Rights Reserved, 100. He described Hit List as being about "really deal[ing] with the power of fame these days in the music industry or the arts. King Crimson, “21st Century Schizoid Man”, 80. The iconic chorus features Diana Ross, Florence Ballard, and Mary Wilson all singing in unison, throwing up choreographed hand gestures that undoubtedly inspired the wrist-twisting of Beyoncé’s “Single Ladies (Put A Ring On It.” —Hilary Saunders, Well, lemme tell ya now: With that piano slide and a bassline that just can’t be beat, this one’s a shoe-in. —Paul Williams, Ben E. King began his career in the late 1950s with The Drifters, singing on several hits including “There Goes My Baby” and “Save the Last Dance for Me,” but he went solo shortly after and this song became a hit in 1961. , Following a successful audition, Manhattan Theatre Workshop director Scott Nichols (Jesse L. Martin) offers to stage Hit List on his venue's "underground" stage. , When 'Hit List' Got Another Shot At An Audience, How “Hit List” Became A Real-Life Musical, Jeremy Jordan, Krysta Rodriguez, Andy Mientus, Carrie Manolakos Bring "Smash" Musical Hit List to Life Dec. 8-9 at 54 Below, Ten things you missed when a New York theater put on 'Hit List' -- a musical from 'Smash', Jeremy Jordan, Krysta Rodriguez, Andy Mientus, Carrie Manolakos Prove to Be a "Smash" in 54 Below's Hit List Concert, Born To Die: Why "Smash" Killed Off A Fan Favorite Character, Smash's Andy Mientus Talks Kyle's [Spoiler], Hit List's Rent Parallels and Jimmy's Redemption, "54 Below Presents a Smash: Hit List or The Price of Fame", ‘Smash’ spawn ‘Hit List’ deserves to live on, I Never Met a Wolf Who Didn't Love to Howl, https://en.wikipedia.org/w/index.php?title=Hit_List_(musical)&oldid=986258616, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License. As the orchestral strings and horns assemble and rise, Cooke proffers a timeless mantra in the refrain—part hope, part prayer, part demand—that a change is going to come. —Hilary Saunders, Years before Sly Stone’s drug addiction and enigmatic persona fully materialized, he was changing the way people viewed soul and pop music from a musical, cultural and racial standpoint. If it was a balm, it failed, but if it was just another gentle song and career highlight for jazz pioneer Louis Armstrong, the tune was still a huge success. —Max Blau, Etta James was one of those rare singers who absolutely defied genre. Calling the show's sound "great" and its cast "energetic and vocal", the site declared that Hit List should come to Broadway or at least Off-Broadway but that the book should have explored a theme that its fictional writers proposed when pitching the show in Smash, that the songs be an actual "hit list" for people who had wronged the character Jesse. It was a call to liberation. Jesse appalled that Nina would throw The Diva under the bus on Conan, pleads for her to join him on a trip back to New York.
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